Tuesday, November 20, 2012

The Carnival Came to Town




At times, I stood with a group of onlookers.  It was not the usual carnival con game where you wished for a stuffed animal but were given a consolation prize, another Chinese finger pull.  No,  it was unusual even for a carnival.  Perhaps that’s why oglers of all ages were attracted.  As a 10-year-old  I was first charmed by the scent of the oil paint; the allure was as enigmatic as the grease paint of the circus.  It enflamed my romantic  imagination, and I wished I could join the carnival and live in a trailer.  I had to elbow my way through the crowd to get a close-up view.  Oftentimes overhearing someone denounce a brushstroke “Oh no, she’s ruined it;” and hoping the artist was deaf to the insensitive comment. 

The artist, from Pittsburgh, Kansas, traveled with the carnival that came each August to the Osawatomie Fair.  She painted several imaginary, canned landscapes similar to Bob Ross         while her husband created inexpensive wooden frames and wrapped the finished pieces in newspaper for the proud collector.  Each painting probably cost no more than ten or twelve dollars.  The act of watching the artist create the painting was the value of a purchase. 

Many years later, I was asked to paint live.   In spite of my self-doubt, I prepared to make my debut.  I watched other abstract expressionists on YouTube.  Initially, I painted for a group of artist friends; graduated to a club meeting; and then to the general public.  Like the Pittsburgh artist, I verbalized my actions, answered questions and kept the group engaged.   I gathered a trunk load of supplies and set up my easel at the local farmer’s market.  I had arrived.  I was emulating my childhood artist, except for the style, my genre being abstract expressionism.   As it turned out, I had to stop the live performances at farmer’s market as it just was not lucrative.  But I learned I can do this.  I love challenges.

I am still motivated to paint live for a group meeting or just for entertainment.  Have paint, will travel, the carnival’s back in town.

Saturday, July 21, 2012

Built Second Website

Several years ago, I created a website using Apple's MobileMe.  I was satisfied until recently when MobileMe was canceled.  I attempted to continue to use Apple's iweb, save website changes, copy files and move files to GoDaddy for hosting.  Seems simple enough, right?  Wrong! I contacted Apple Support...  they weren't very supportful.  They wanted another $49 to troubleshoot.  Not knowing if it would even work, I said nicely said forget it.  Well, maybe I wasn't so nice.  I used the phrase "That's BS" (although I use the acronym, BS...  I loudly spoke the actual word).  Imagine!

I then opened a GoDaddy Website Tonite account.  I diligently worked on creating a site and called GoDaddy Tech Support over ten times.  I found them very personable and most of the reps were professional and knowledgeable.  

At one point I was very proud of my Apple website.  Compared to the new one, the old looks pretty drab.  I'm even more proud of the GoDaddy site.  With great bells and whistles and an up-to-date appearance, it does exactly what I want it to.

By the way, the site address is the still the same as the old one: www.JerryHardestyFineArt.com.
Please view and give me some feedback.

www.JerryHardestyFineArt.com

Tuesday, May 8, 2012

"300 Plates"


Please Join Us at the
10th Annniversary of the

300 Plates Fundraiser and Exhibition!
Fundraiser Event: Thursday, May 17th, 6 - 9 PM
Preview: May 14 - 17
                Mon. & Tues., 10 AM - 6 PM
                Wed. and Thurs. 10 AM - 5 PM
Registration Information:
$25 through May 13
$35 May 14 - 17 and at the door

REGISTER ONLINE NOW BY CLICKING HERE

Where:
Art Access/VSA Utah
230 South 500 West #125
Salt Lake City, Utah 84101
801-328-0703
http://www.accessart.org

What is 300 Plates?
300 Plates is the annual Art Access fundraiser and exhibition. Now in its 10th year, this signature event presents unique artwork that is both affordable and highly collectible, created by approximately 130 established and emerging artists from the local community. Using 11 x 10 inch plates (either aluminum, galvanized steel or plexiglas), each artist prepares small works in their recognizable style. Finished plates include everything from landscape to assemblage to pop art to photographic emulsion and more. During the fundraiser and month-long exhibition the plates are hung in the Art Access Gallery, creating a kaleidoscope of one-of-a-kind artwork. This year a small selection of plates from previous years will also be on sale.
As one of the 130 artists, I have created and submitted three plates.  On the plate entitled "Homage," I have actually included seven paintings in the style of seven of my favorite artists with quotes by these artists on the reverse side.





Tuesday, May 1, 2012

Take a Look at me No -ow -ow!







Jerry Hardesty, White-Headed, No Glasses












When we moved to Utah, I had to list my hair color on my driver license.  I was only 50 at the time, and uncertain if it should be gray or white. The agent informed me, definitely white.  I didn't have a chance as I started graying at age 16. Ouch! Oh well, white hair is a sign of wisdom...  though I never thought of myself as being wise. I'm looking pretty good for a senior citizen.  I no longer have to wear glasses (after 50 years) for distance - let's not talk about reading.  And I've dropped almost 20 pounds in the past year; but thank God I'm not down to my high school weight of 115.

TMI?  As the young people would say. You could delete me, but please don't. If I'm to interest you in my art and I hope I do, I thought it imperative to share my journey. Don't worry, I'm not going to give you a complete chronological review. Just the highlights.  f it's too much, you can respond with a comment, but only if it's positive.  

First, I have to say I'm very proud of my wife, three kids, their spouses, and the six grandkids. Pam and I met on a blind date in Kansas City, Missouri and were married six months later. We've moved a lot, Kansas, Missouri, Louisiana, Nebraska, and now Utah.  I've had several careers... 13 years as a band and choir teacher, 2 years in the music industry, 25 years as a Manager with Union Pacific Railroad, and now...  drum roll please, an artist.  I'm a surviror... having suffered two heart attacks and two strokes in 2006.  This allowed me to claim disability and therefore take up painting to combat depression.  

As an artist, I label myself as an abstract expressionist.  I first painted landscapes but became easily bored. I switched to abstracts about four years ago and love it.  I've had a number of shows and exhibited in several galleries, the latest being House Gallery in Salt Lake City.  Am I making any money?  Hell no, I'm not even making expenses.  But other than Pam, who cares?  The journey is the fun and the challenge.  I'm lovin' it!

Monday, April 23, 2012

Balancing Creativity vs Business













Green, © by Jerry Hardesty, Acrylic & Cement,
10x10 on panel





Okay, I have "creativity" covered.  I spend time each day in the studio...  painting.  When I'm not painting, I'm thinking about it...  thinking about the next canvas, or in my studio that would be several canvases at once.  Thinking about experimenting with a different technique, material, or different tool to create texture... my latest material being cement (see image "Green"), and my favorite tool a trowel used by tilers.

For me, I find the business side of art to be difficult and challenging.  Ironic, isn't it...  I spent over 25 years in the business world of corporate America.  Now, I'm going back to Business 101 (never actually previously had that course), but you're already ahead of me.  I've read several books, among them Alyson B. Stanfield's I'd rather be in the studio.  Guess what?  I would.  Oh wait, I haven't left...  my computer is in my studio.  But I'm not painting, I'm blogging.  Oh well.  I've created a business plan and both short and long-term goals (at my age, they cannot be too long-term... just kidding).  Weekly, I create a task list which I transfer to my calendar so I can see on any given date what I need to do that day.  I've got spreadsheets!  Spreadsheets, gee, now that is definitely the business side of making art!  The bottom line, I am getting more organized.  I'm juggling my priorities and tipping the scales to create balance. 




Friday, March 23, 2012

"Resonance" at House Gallery



"Wrapped," Mixed Media - Cement, Wire Mesh, Twine, Acrylic, Canvas Strip, 10x10 on Panel

I have created a series of 10x10's for my show "Resonance" to run from April 3 through April 28 at House Gallery, Salt Lake City, Utah.  I adopted the use of cement from an artist on Facebook.  I thought long and hard as to how the use of cement could complement my other works for the show.  "Wrapped" is just a teaser - come see the rest of the show.  These 10x10's are my smallest pieces.  The largest is 36x48.

Lest I forget, the Artist Reception is from 6 to 9 pm, on Friday, April 20.  See you there!

Sunday, February 19, 2012

Performance Painting, "Tango"

Painting live with an audience can be quite challenging.  My focus on February 17, 2012 was to finish a painting that would satisfy not only me but also the audience.  I accomplished both these goals.  When I painted "Chameleon" for South Towne Orators (see previous post), I did not finish as I had too much interaction with the audience.  At DF Dance Studio in Salt Lake City during Gallery Stroll, I had one hour in which to complete my painting; therefore, I asked the audience to hold questions and comments until the end.  I could have talked more as I painted but I was "in the zone" and focused on a finished painting.

I first drew spontaneous marks on my 36x48 canvas with charcoal, and explained that as I added paint these would bleed and that they could be covered with paint.  My purpose was to energize the canvas and to have something to look at other than a white-painted canvas.  I then applied acrylic cobalt blue paint with my gloved hands.  I used all the blues I had in addition to the cobalt: cerulean, light blue, ultramarine, phthalo, also dioxazine purple, red and white.  Blue is my favorite color followed by yellow.  I did not want to use yellow as combined with blue would create green which would dominate the painting.  I also used a tempera blue.  I use water and various tools to create textures and interest.  

After taking comments and questions, as a finale I squeezed sweeping lines of white and blue from their tubes (one fan called this     my signature)...    I titled the painting "Tango," afterall we wer at DF       Dance Studio...  Watch for the video.


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